Aubrey O’Day Complex Magazine Photoshoot [Video]

The Opening Sequence of Saw V [Video]

Nelly: Brass Knuckles

It’s no secret that Nelly’s career is far from what it once was and I think he’s slowly starting to realize that. None of the singles leading up to this new album had the same impact of "Country Grammar" or even that of "Hot In Herre"; so maybe, just maybe, that glorious spotlight is beginning to fade. Still, Nelly seems unfazed of the matter and his response comes packaged as Brass Knuckles--A bona fide return to Hip-Hop, intended to hit listeners hard from start to finish. The only question is, just how much fight does Nelly have left? Unfortunately, the answer to that is very little.

I’ll be honest. Brass Knuckles, as a whole, is far from a bad album, but to call it good would be contrite on my part. Too many features drag this album down, for one, and, two, the lack of growth from Nelly is really starting to get old. Maybe it’s just me, but every album of his just sounds the same to me. I’m sick of his “down, down baby” flow and everything that is St. Louis, because that whole movement is dead. It died a long time ago and whether Nelly wants to believe it or not, it’s true. Just ask Chingy.

As harsh as that sounds, a part of me feels bad because I, too, was once a Nelly fan. I loved Country Grammar and Nellyville and keep both in heavy rotation on the ipod; but somewhere along the way, Nelly got comfortable. His whole demeanor changed when it came to music and the end result was the dreadfully awful Sweat/Suit album. From a business standpoint, it made sense so I can’t even front on that aspect; but if that’s not “commercialism” at its finest, then I don’t know what is. It just goes to show that everybody has a price. Even rappers.

As for Brass Knuckles, Nelly continues to be comfortable and songs like the Polow Da Don produced “Party People” and “Stepped on My J’z” are only proof of that. Neither of these records have any substance whatsoever and, dare I say, seemed kind of forced if you ask me. Not all is lost, however, “L.A.” featuring Snoop Dogg and Nate Dogg is a pure gem; while “Chill”, “Uced Getit”, and “Let It Go Lil’ Mama” are standout tracks as well.

Other than that, the album is too watered down by guest appearances to make it anything memorable; so, rather than writing in circles, I’ll get straight to the point. Brass Knuckles doesn’t pack much of a punch at all. Now, how’s that for journalism?

Rating: 5.5 headphones out of 10

No "Swagga Like Us" For Paper Trail?

As it stands, T.I.'s Paper Trail is less than two weeks away and word on the street is that it will NOT feature the song "Swagga Like Us".

In case you haven't head, the song features Kanye West, Jay-Z, and Lil' Wayne (Click here to listen) and is the absolute truth! Believe me when I say this, to have 4 artists of this calibur on one song is legendary; but as to why the song will not be featured on Paper Trail is beyond me.

A few conspiracy theories have been tossed around, but the most popular pertains to T.I. A lot of people think that since T.I. bodied everybody on the song, that an outcry has led to its removal but, really, does that make any sense? No, not even in the least bit so to each his own. I'm just upset that no clear, difinitive reason has been stated as to why; but maybe things will be cleared up here in the next few weeks. At least, one can only hope.

Ne-Yo: Year of the Gentleman

When it comes to songwriting, Ne-Yo is in a class of his own. Having penned hits for the likes of Mario, Beyonce, and Rihanna, his debut album, In My Own Words, showcased his extraordinary gift and his second, Because of You, only served further proof of his talent. Now with his third, Year of the Gentleman, Ne-Yo sits as a well established singer/songwriter and just like his previous outings, the end result is damn near flawless.

It’s amazing how so much creativity can flow from a pen to a piece of paper; but for Ne-Yo, his talent is on par with only that of his own. Save for a couple songwriters here and there, Ne-Yo goes untouched when it comes to his penmanship and the fact that he stresses quality over quantity is what makes him a remarkable talent. For example, songs like “Fade into the Background” and “Why Does She Stay” are poetic ballads that paints things clearly for the listener; all the while, the vocal stylings of Ne-Yo is what pulls everything together nicely.

Maybe it’s just me, but every word seems precise when it comes to the way Ne-Yo writes. I’ll be honest. I couldn’t stand the lead single “Closer” at first but after listening to the words, I absolutely love it. His current single, however, “Miss Independent” is a nice mid-tempo track that suits him perfectly--especially when considering the track is kind of bubbly. Not that that’s a bad thing. Bubblegum music sells records you know and, at the end of the day, isn’t that what it’s all about? To sell records.

Shifting gears, Year of the Gentleman may not be as cohesive as his debut; but it more than makes up for the [highly] slept on, Because of You. Here, Ne-Yo’s pen is in full force (a’ la In My Own Words) and songs such as “Single”, “Mad”, and Lie To Me” are sure enough to be crowd pleasers. As a whole, this album reflects a more seasoned Ne-Yo and holds true to it’s “gentleman” theme and, honestly, I think this is a real good look for Ne-Yo. Not only does it set him apart and allow him space to push the envelope, but it opens up an endless world of possibilities.

Sure, he may be recognizable as a talented singer/songwriter; but if you really listen to his music, Ne-Yo would love nothing more than to be an entertainer sort of in the same likeness as Michael Jackson. His embodiment of Michael is uncanny and reflects not only in his voice, but his style as well. However, I for one, prefer Ne-Yo for who he is and what he represents. What’s that you ask? Simple. A distinguished gentleman.

Rating: 7.0 headphones out of 10

*RêÐ TåPê

You would think I wouldn't have to go through so much "red tape" for a transfer, but this shit is starting to get re-gotdamn-dicilous. As some of you may know, I recently applied for a new position at work; and although things have been set in motion for me to leave, I'm prohibited from doing so until a replacement is hired.

Now, as patient as I am, I can understand the politics behind things of this nature but, still, my patience can only stretch so far. I feel as though I’ve been more than accommodating when it comes to this particular issue and, for once, I feel it necessary for the company to do right by ME for a change.

The only problem is, as much as I’m entitled to an opinion, if that opinion does not coincide with theirs (the company); then at the end of the day, I’m expendable. I know that. They know that. We all know that. Facts is facts, no matter how you slice it. Therefore, none of this rant is a knock against my present employer, but rather with the situation itself. It’s like this…

I’m more than content with where I am now, but a part of me has always felt out of place. I know absolutely nothing about hardware and appliances, so to continue bullshitting as if I do just seems like a waste of time. Maybe it’s just me, but if I’m going to be apart of something, I like to be somewhat knowledgeable about things; not like I don‘t have a fucking clue.

And that’s exactly how I feel at times. Some days are better than others… Yes, I agree and serve testament to that; however, I think a mutual divorce would just be better for all parties involved. I get what I want and, in return, peace and tranquility is restored. Enough said.

*Be careful what you wish for*

Ludacris Covers Nov. Issue of XXL

How Ludacris goes unmentioned when it comes to being one of the top M.C.'s is beyond me, but maybe this new album Theater of the Mind will give him that push he needs.

Without question, the guy has been consistent since day one and I wish him all the success in the world. The only thing is, all these rumors of him putting the mic down for acting is damn near ludicrous (pun intended). I'm not saying that it's a bad idea, I'm just saying that the Luda I prefer is the one behind the mic. That's all.

Anyway, as you can tell, Luda is featured on the cover of next month's XXL; so be sure to pick up a copy when it hit's newsstands here shortly. In the meantime, Theater of the Mind is slated for November so be sure to cop that as well.

Aubrey O’Day: "Damaged" In Every Sense of the Word

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Aubrey O' Day (of Danity Kane) is a train wreck waiting to happen. I see it. You see it. We all see it. Unfortunately, none of that seems to matter, however, because this broad still has a record deal. Why? I've never understood that either, nor have I ever understood why Danity Kane continues to put up with shit like this. Not all publicity is good publicity--regardless of what some may think--and all Aubrey does is try to hold onto her little 15 minutes of fame. It'll wind up eventually and she'll be faced with the sad realization of what she's become; but, seriously, who wants damaged goods? I sure as hell don't.

To view more pics/read the interview Aubrey did for Complex Magazine, click here.

Rosario Dawson Covers Up

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I think it goes without saying that I'm a HUGE fan of Rosario Dawson. Hell, I even wrote a blog about how much I love her (check the archives if you don't believe me). Anyway, here she is on the cover of Angeleno magazine. The spread came out nice, in my opinion, but let me know what you guys think.

Solange: Sol-Angel and the Hadley St. Dream

There’s a fine line between creativity and artistic expression, but Solange [seemingly] fits somewhere in between. Unlike her sister Beyoncé, Solange refuses to cater to the mainstream and, in not doing so, her music is generally not accepted by that of “commercial” audiences. Still, unfazed by that fact, Solange has returned with her new album Sol-Angel and the Hadley St. Dreams; and trust me, this is one dream that should not be deferred.

Let’s face it. Gone are the days of 70’s soul and Motown but, through artists like Solange, that era continues to live on. Without question, that particular era of music was the inspiration for Sol-Angel and the Hadley St. Dreams; and you know what? It really works well for Solange.

Getting things started, “God Given Name” is a brief introduction for the album and only furthers the fact that Solange is nothing like her sister. Hell, she even addresses that notion on this track but you have to listen closely to see what I mean. Up next, “T.O.N.Y” is a nice, catchy tune that can be taken as one way, but is intended as another. Confused? Yeah, I was too but once you figure it out, you’ll love this song as much as I do.

As far as stand out tracks are concerned, quite a few come to mind as I write this. I absolutely dug “Sandcastle Disco” for it’s futuristic instrumentation. Not to mention, Solange just sounds so refreshed and energized that the song is hard not to love. Anyway, other songs of note include: “Dancing in the Dark”, “Would’ve Been The One”, “Cosmic Journey”, and last but not least, the lead single “I Decided”. All these tracks make this album a winner in my book and although some people will be afraid to admit it, I’m starting to think that maybe Beyoncé isn’t the most talented Knowles. It’s ludicrous to even think that, huh? Yeah, I know but to each his own. I standby my statements, so feel free to attack my point of view. I could care less.

Overall, Sol-Angel and the Hadley St. Dreams is really put together well and succeeds in establishing Solange as a legitimate artist. The only bad thing is, as good as this album is, a lot of people will overlook it and be content with all that bubblegum music we hear all the time on the radio. Eventually, all that b.s. gets repetitive; so instead, do yourself a favor and wake up.

Rating: 7.5 headphones out of 10

Gym Class Heroes: The Quilt

Although the success of Gym Class Heroes came as no surprise, logic would suggest that their new album, The Quilt, will be key in determining their longevity. Their last album, As Cruel As School Children, was released to moderate fanfare; however, due to the crossover appeal of songs such as “Cupid’s Chokehold” and “Clothes Off”, the album not only showcased Gym Class Heroes at their finest, but may have just established them as legit. Now, with their new album The Quilt, the spotlight has never been as bright. The only question is, will that same success be their undoing.

In all my years of listening to music, I’ve noticed a common trend. Whenever an artist/band becomes “commercial”, complacency seems to follow. The idea of playing it safe, in my mind, is a big risk when compared to those that don’t conform; but then again, who am I to judge? My job as a blogger is to provide you with a fair and unbiased opinion and, for the most part, I think I’m pretty thorough. That being said, The Quilt is a step back for Gym Class Heroes. Not only does it fail to expand on the creativity that critics have praised them for but, more importantly, it fails to deliver anything [relatively] new. Allow me to explain.

The growth of an artist/band can only [really] be measured by how much work is put into an album; and with Gym Class Heroes, you pretty much know what you’re going to get. Their music, which reflects a melting pot of genres, speaks for itself; however, in my opinion, the spark that made these guys interesting is no longer there. Songs like “Cookie Jar” come off as feeble attempts to recapture commercial success, and while catchy, it’s going to take more than an assist from The Dream to be considered mainstream. All hope is not lost, however. The Estelle featured “Guilty As Charged” is a stand out track that blends the rhymes of Travis McCoy and the vocals of Estelle together nicely. Elsewhere, the Cool and Dre produced “Peace Sign/Index Down” is a buzz worthy selection and is it just me or does Busta Rhymes not get enough recognition? His guest spot here is [somewhat] lackluster than normal but, still, this song is pretty dope.

From there, the album mostly drags and it’s a shame because I had such high hopes. A little bit more could’ve been done, I guess; but with Gym Class Heroes being such an abstract group, it’s hard to be subjective towards their music. Sill, maybe The Quilt will grow on me with time but, for now, it has far too many holes and not enough patches.

Rating: 5.5 headphones out of 10

Tyler Perry’s The Family That Preys

Regardless of the fact that Tyler Perry’s films have grossed millions at the box office, critics have maintained harsh criticisms toward his work. I, myself, included. Whether it’s his formulaic approach to film making, or his ineptitude when it comes to subject matter; Tyler Perry just doesn’t get the recognition that he deserves and allow me to be the first to say that I was wrong.

Not only is this guy an exceptional director, but what he does with a pen is pure talent. No. He’ll probably never be mentioned in the same sentence as say a Steven Spielberg or even that of the Coen brothers; but his impact on the black community is something that can never be measured. His plays/films speaks to the heart of his people and with his latest film, The Family That Preys, being his first attempt at crossover appeal; I think it’s quite clear that Tyler Perry sees things for what they are, and not just black and white.

Thematic elements such as infidelity, discrimination, and verbal abuse have been commonplace in cinema, but the way a Tyler Perry production can touch on so many different issues is a true testament to Tyler Perry as a writer. Without question he’s talented and has been blessed with an extraordinary gift, but The Family That Preys may [just] be his most “complete” work to date.

I’ll be honest. My biggest criticism towards Tyler Perry has been his inability to make a “complete” film and now that he has, I guess all I can do is tip my hat. Not only is this movie good, but it reflects back to all races across the board; not to mention, again, it touches on a lot of important issues that pertain to family. Or rather, the idea of family.

Still, as much as this movie is good, it’s not without its criticisms. As expected, the plot was a typical Tyler Perry dialogue and didn’t stray from any of his previous films, however, the incorporation of white actors was a nice change of pace. Not only does a move like this show his commitment to reach a [more] wider audience, but it’s smart also. Believe it or not, but a lot of white people love Tyler Perry’s work [as well] and to have characters that look like them is a nice nod in their favor. That being said, not enough can be said about the performance of Kathy Bates in this film but, honestly, all the performances were on point. More specifically, that of Sanaa Lathan‘s. I’ve never seen her reach this range, as far as acting is concerned, so it was nice to see her be given that opportunity.

So, in conclusion, other than the plot being somewhat predictable (as far as by Tyler Perry’s standards), The Family That Preys is a real solid film. While it may not be Perry’s crowning achievement, it is however a step in the right direction towards mainstream; and dare I say, the “one” that finally won me over.

Rating: 4 ½ inkblots out of 5

With A Name Like Angel, How Could She Not Have Wings?

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I've never been much of a fan of product placement; but if Red Bull can give you wings and a body like this, then count me in as a full fledged supporter. Seriously though, I've been checking for Ms. Lola Luv for quite some time and it seems as though she's gone below the radar as of late, but it's nice to see her [slowly] stepping back into the limelight. She's definitely one of the top models in the game, so much luv to Lola Luv. Real talk!

Lil' Wayne's SNL Performance [Video]

Pineapple Express

Seth Rogen may not be your typical “movie star”, but his appeal is undeniable. Ever since his supporting role in The 40-Year Old Virgin, fans have clamored for his effortless brand of wit-- and low and behold, Seth delivered with Knocked Up and followed suit with SuperBad. Now, a star in his own right, Seth Rogen has become the new “it” guy in Hollywood and if Pineapple Express is any indication, his career is far from going up in smoke.

First things first, I think it goes without saying that Pineapple Express is very “pro-pot”; but even if you’ve never smoked, this movie is pretty damn funny. It definitely passes the “From the guys that brought you The 40 Year Old Virgin and etc.” seal of approval and, if nothing else, proves that [almost] anything blessed by Judd Apatow is sure to be comedic gold. That being said, Pineapple Express is [cleverly] well-written for it be a “weed” movie; and although it falls short in comparison to the movies aforementioned, it’s still something well worth seeing.

For lack of better words, call it “movie magic” if you will; but, Pineapple Express is this generation’s Half Baked. I know. To compare the two films is borderline blasphemy but, arguably, that statement makes sense. Especially when you really think abut it. I mean, my generation adored Half Baked for what it was and have responded by proclaiming it as a cult classic; but, in watching Pineapple Express, I got that same feeling that I had with Half Baked. Without question, this newer generation will adopt it as their own; and although my thesis remains to be seen, I remain confident that it will [take shape] over time. Trust me. I just know these things.

So, what’s it all about? Pineapple Express is basically about a brand of pot (of the same name) that Seth Rogen’s character, Dale, comes in contact with via his drug dealer/friend, Sal (Franco). However, when Dale witnesses a murder; his attempt to make a clean getaway goes unabated by the fact that he left some of the Pineapple Express at the scene. The only problem is, with Pineapple Express being rare and Sal being the only dealer in town that has it is, both Dale and Sal must figure out what’s going on or risk losing their lives. From there, insanity and chaos ensue; and all the while, it’s a laugh out loud riot from start to finish.

Overall, Pineapple Express is a step back from SuperBad; but is solid enough to stand on its own. While ridiculous, the plot is simple yet effective and the comedic timing of all the actors involved is on point. Combine that with the Judd Apatow seal of approval and what you have is a surefire recipe for success.

Rating: 3 ½ inkblots out of 5

Jesikah Maximus: Blackmen Magazine Spread

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Words just aren't enough when it comes to Jesika Maximus, but I think it's pretty obvious that this spread for Blackmen Magazine is pretty hot. Therefore, why even bother with long, drawn out dialogue? Instead, I'mma keep it simple Comment on the pics and let me know what you guys think

Chanta Patton: Fly Like Paper Planes

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In case you've been living under a rock, Chanta Patton is the girl from the Kardinal Offishall video "Dangerous". Not to mention, she was also featured on the cover of last month's KING Magazine. Now, if that doesn't ring a bell then I don't know what will; but clearly, this girl is amazing. I, for one, think it's her eyes, but I could be wrong. I don't know, there's just something about 'em that just draws you in. Anyway, here's a few pics I came across (courtesy of Cutie Cental Blog) so check 'em out and let me know what you think.

*Spanglish

If Spanish is the 2nd most popular language in our country, how come only a select few of us can speak it fluently? That’s the question I propose because the more and more I think about it, the more it comes back to a matter of “want to” over desire.

Truth be told, learning a foreign language such as Spanish would be very beneficial to a lot of us; yet, we sit and complain whenever there’s a failure to communicate. Is it frustrating? Yeah, I’ll admit it sometimes is; but half the time, we [as Americans] bring it on ourselves. For what reason? I don’t know. Maybe it’s the fact that we’re content in our ways and don’t want to really understand, but maybe it’s also that some of us feel that there would be no point in trying to in the first place. Either way, this goes both ways and you could easily make an argument for both; however, I can only argue from the way I see things.

It’s like this. I know very little Spanish, or remember very little I should say, from classes I took back in High School; but when it came to actually applying what I had learned, it was like taking a shot in the dark. Sure, I can string together a couple words and phrases and even understand a little bit (when I slow everything down), but it’s still hard for me since I never took any of it seriously. I figured (just like most) English was predominately what I would be speaking anyway, so why bother? And that right there, is the crutch that a lot of us love to rely on. I, myself included.

Needless to say, my [American] pride got the best of me at the time; but now I’m making a concerted effort to better my Spanish speaking dialect. Slowly, but surely, I’m making strides in becoming fluent but progress is a slow process. Yet and still, I intend to remain focus in my efforts and really give this a try; but, for now, call it a work in progress.

Young Jeezy: The Recession

Let’s Get It: Thug Motivation 101 was instrumental in the success of Young Jeezy but, still, critics have never really given him his just due. Whether it’s his simplistic rap style or his limited subject matter, Jeezy has been much maligned in his career; however, the hood has embraced him with open arms. Not only have his albums been well received, embraced, and supported; but real recognizes real, and it’s clear that the hood endorses Young Jeezy.

Now, in the midst of economic decline/peril, the streets are struggling harder than ever and who better than Mr. 17.5 to speak the truth when it matters most. The Recession. Point. Blank. Period. Is the hardest album out right now (in case you haven’t heard) and, oh yeah, it more than lives up to its billing as “Thug Motivation 101 on steroids”. Seriously, it’s that official.

Getting things started, “The Recession (Intro)” and “Welcome Back” serve nicely as introductions; but things don’t really pick up until the Terry “TA” Allen produced “By The Way”. Here, Jeezy reminds those who may have thought his run was over and in true Jeezy form, he [absolutely] bodies his verses with ease. Up next, “Crazy World” is another political jab at the current state of the economy; while “What They Want”, “Amazin”, and “Hustlaz Ambition” reminds fans why they fell in love with Jeezy in the first place.

Without question, the production on some of these tracks are raw as hell and because of that, Jeezy shines even brighter over such stellar production. For instance, the Don Cannon produced “Circulate” is not your typical Jeezy record; but to hear Jeezy switch his style up is refreshing. Not to mention, it’s a pretty hot song as well; however, other standout tracks include “Everything” featuring Lil’ Boosie and Anthony Hamilton, “Don’t Do It”, “Wordplay” and last, but not least, “My President” featuring Nas. The latter finds the two trading verses in support of Barack Obama and although Nas outshines Jeezy on his own song, surprisingly it was only by the slimmest of margins.

Ok, maybe I’m hyping this album up to be bigger than what it really is, but Jeezy really came with it this time. There’s no denying that. He may not be the most lyrical, nor ever be mentioned in the top 5; but his impact and commercial appeal is far reaching than some will ever come close to. I mean, hell, even Michael Phelps listens to this guy. Obviously Jeezy is doing something right so regardless of what critics, bloggers, and people of that nature may think, Jeezy is better off doing Jeezy. It’s worked thus far and if it ain’t broke, I’ve always said don’t fix it. That being said, The Recession is a solid 3rd offering of sorts and reflects the growth of “The Snowman”. No longer in grind mode; instead, it’s politics as usual.

Rating: 8.0 headphones out of 10

The Game: L.A.X.

Amidst all the controversy and constant rumors of retirement, The Game has been consistent since day one. His debut album, The Documentary, was an instant classic and it's follow up, Doctor's Advocate, was equally impressive as well. Now with his third solo offering L.A.X, The Game is out to prove his place in Hip-Hop [before things fade to black]; however, I'm thinking maybe he should reconsider.

For what it's worth, L.A.X. is far from a bad album; but to define it as the "be all to end all" album for Game would be inaccurate. If anything, Game took a step back [in my opinion] and has plenty of work ahead of him to be labeled "great"; but the thing is, the framework for success has already been laid. Without question, The Game is one of the most lyrical MC's in the game right now and not many rappers can hold a torch to 'em; but I think it was exactly that kind of thinking that influenced Game's approach to L.A.X. because L.A.X. is far from being anything remotely classic. Instead, L.A.X. stands as a typical melting pot of sorts in that it relies heavily on guest appearances and is even more watered down by Game's "lyrical crutch" that is name dropping.

Don't get me wrong, a few lyrical gems of note shine bright on this album and "Bulletproof Diaries" featuring Raekwon and "Angel" featuring Common are perfect examples of that. Not to be outdone, the somber "Never Can Say Goodbye" is solid as well as Game [lyrically] recaptures the final moments in the lives of Tupac, Biggie, and Easy-E; fittingly, giving poetic justice to each. As for the guest appearances, most are hit or miss here with "Letter To The King" featuring Nas and "Gentleman's Affair" featuring Ne-Yo representing both ends of that spectrum. Other standout tracks include the Lil' Wayne assisted "My Life", "Dope Boys" featuring the drums of Travis Barker, "Let Us Live" featuring Chrisette Michelle and, of course, the Keyshia Cole assisted lead single "Game's Pain".

As a whole, however, L.A.X. may leave a lot to be desired but is solid nonetheless. Production wise, the album is on point and vibes well lyrically; but, never does L.A.X. come close to re-creating the magic Game captured on The Documentary. Maybe it's just wishful thinking on my part, I don't know; it's just that, The Game is superbly talented and has all the necessarry components to be "great", but that potential can only go so far. With a little time (and effort), The Game will seal his place in Hip-Hop; but for now, his life and times are far from front page news.

Rating: 7.5 headphones out of 10

Karina Pasian: First Love

I wouldn't necessarily say the comparisons to Alicia Keys were unfair but, rather, premature [if anything] when it comes to 17-year old songstress, Karina Pasian. Blessed with a soulful voice and raw talent, Karina possesses all the makings of a star. Her true talent shines bright, unlike many, and with her debut album, First Love, Karina not only accomplishes a worthy debut; but establishes her place in R&B as well.

As overly saturated as R&B has become, Karina represents hope for the future. Too many artists nowadays are the product of what image their label sets forth and, in doing so, their music seems forced. It's hard for an artist to stand out with so many other carbon copies, but talent and originality is the key. Fortunately, Karina encompasses both and First Love is poetically solid in what a debut album should be.

Anchored by the Tricky Stewart produced lead single "16 @ War", First Love plays to Karina's strengths and does not allow her raw talent to be the primary focus. To have done so would've been a mistake, but songs such as "Can't Find The Words", "Winner", and "Can't Bring Me Down" are that much better because of it. Yet and still, Karina sings softly in her comfort zone and [legitimately] pours everything she has into this album. Songs like "Slow Motion" and even the title track itself exemplifies the passion and persistence that went into this effort; while, at the same time, allowing the listener to fall in love with music all over again. --So, just like your first love, this album is memorable in that it will be something you won't soon forget.

Rating: 6.0 headphones out of 10

Wanted

I'm not usually euphoric when it comes to movies, but ever so often I'll come across something so awe inspiring that lasts long after leaving the theater. For whatever reason, it's hard to find these kind of films, but who would ever expect that a trigger happy, shoot 'em up flick like Wanted would fall into such high regards. Lord knows I didn't and as I walked out of the theater, still reeling from what I had just seen on screen. All I could think about was how f’n awesome this movie was.

Let’s be honest. A movie like The Matrix was key in revolutionizing the Sci-Fi/action movie genre and, in doing so, it opened the doors for a movie like Wanted to [one day] be made. In the same vain, last year’s Shoot ’Em Up [also] followed this same formula but the comparison of the two films is not here nor now. Instead, the topic at hand is that of the comic book based Wanted; and as far as comic book film adaptations is concerned, Wanted is in a league of its own.

Starring James McAvoy as Wesley Gibson, Wanted weaves the tale of an elite group of assassins assembled to keep “order” and “peace”. The only question is, at what cost? Beleaguered, Wesley begins to question the moral aptitude at hand and from there, it becomes an issue of morality. All the while, the over-the-top action sequences fits everything together nicely and what you have, is one edge of your seat thriller from start to finish.

A quick note, however, Angelina Jolie proves once again why she can hold her own on screen and other than the scene where she drops her towel (that scene is priceless btw), her [overall] presence here is commanding. The same can be said for James McAvoy as well. A lot of people may not remember him as the kid from The Last King of Scotland; but just like that film opened people's eyes to Forest Whitaker, Wanted will [undoubtedly] be McAvoy's most memorable work. The way he pulled things together as Wesley was key for the movie to work, and Mcavoy came through like a seasoned vet. A job well done, I say.

In closing, Wanted may not win any awards or be recognized by any academies, but it’s shelf life will last longer than the theater. Meaning. This movie will [in deed] become a cult classic and, over time, be accepted as the new standard for over the top action. If not, hey, at least it was well worth it to hear Morgan Freeman (no less) deliver the line, “Shoot this motherfucker”. Now that’s what I call classic. Wouldn’t you agree?

Rating: 5 inkblots out of 5

Zack and Miri Make A Porno [Trailer]

Hoopz KING Magazine Photoshoot [Video]

*Is There Any Better Flavor of Pop Tarts Than Frosted Cherry? I Think Not!

I realize this blog is completely random, but I just felt the need to express my love for Frosted Cherry Pop Tarts. Hands down, there's no better flavor and I dare ANYBODY to say differently.

Sure, I mean, I'm also a fan of Brown Sugar and Cinnamon but there's nothing quite like the taste of Frosted Cherry. Trust me, it's damn near a proven fact. Therefore, I could care less for any other flavor and you know what, I think Kellogg should do the smart thing and rid the world of EVERY flavor that is not frosted cherry. Agreed?--Then again, is that even a question? Of course not.

Jessica Alba Covers [Czech] Esquire

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As far as [white] girls are concerned, Jessica Alba is a real winner in my book. Don't get me wrong, Scarlett Johansson is still #1 in my heart--but Jessica Alba is a close 2nd. Anyway, here's a couple pics of her spread in the Czech issue of Esquire magazine (she's featured on the cover as well). Check 'em out and let me know what you think.

*When Gears Grind Slow

Gears of War 2 just won't come soon enough...It's funny, Gears of War was the first ever game I bought for the 360 but, honestly, I never gave it much of a chance. Sure, I played it here and there and enjoyed it for what it was; but, lately, I've started to have a difference of opinion.

Over the last few days, me and my homeboy Ralph have been addicted to this game! So much so, that maybe "addicted" would be an understatement. Regardless of the matter, we were really [both] into it and it became a matter of pride to complete it. Needless to say, we accomplished that goal with relative ease (it took a while but we got it done, no thanks to Ralph however. I like to think that I did most of the work, but I'm sure he'd beg to differ) and now this looooooong wait 'til November is eating me up inside. Well, not really, but you get the idea.

Basically, I really want to play part 2 and see where things go from there; but, I'm stuck with a month and 1/2 from that happening. Oh well, I guess Madden NFL 09 will hold me over until then. --Then again, I don't really have much of a choice now, do I?

The Secret Life of Bees [Trailer]

Chad Johnson [Legally] Changes His Last Name To "Ocho Cinco"

Although the NFL is currently looking into the matter, Chad Johnson has apparently changed his last name to that of "Ocho Cinco". Made popular via one of his infamous Touchdown celebrations, the moniker has caught on since its inception; however, I truly feel that Chad's latest stunt is strictly a ploy for marketing purposes. There's no way the NFL would allow Chad to place "Ocho Cinco" on the back of his jersey (he was fined when he did it the first time), but if that was his last name...well, that's a different story.

All I'm saying is that for Chad to go this far and to these extremes is a little unnerving, but nothing about Chad surprises me anymore. His talent on the football field has never been questioned but maybe, just maybe, if he focused a little bit more on the Bengals [as a team], instead of these antics; his dream of being a champion would come sooner rather than later.

Robin Thicke Claims Racism

When I first caught wind of this story it kind of caught me off guard, but it makes perfect sense when you really think about what Robin Thicke is saying from his side of things. There's no reason why an artist like himself should be denied the cover of Vibe, but to each his own. In the meantime, here's what he had to say about things so check it out and let me know what you guys think.

“When I did a recent interview with Vibe magazine I asked, “Why can’t I get the cover? This is a magazine I love. If there’s one magazine that I’d want to be on the cover of, it’s Vibe.” Their response was they don’t have white artists on the cover; that the only white artist they’ve had on the cover was Eminem. I guess if that’s what it is, it is what it is. And I respect that because I live in a house with a black woman.

I won’t use the word “racism.” I will say it’s a tough — but rewarding —fight. I look at Mary J. Blige, somebody who has had only a few pop hits and yet has changed culture, generated new sounds and inspired leagues of artists. She’s now a worldwide phenomenon. And it’s because of what she stood for; she never gave up. She kept making great music, pouring her heart out to people.

You can’t always expect people to be as color-blind or open-minded as you want. What you can do is keep giving your heart and soul, like Bob Marley did. His music became so overwhelmingly loving; it was a relentless love in a sense. Keep beating them down with love and they can’t stop you.”

Hoopz Scores For King Magazine

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First things first, let me just say that I, for one, am against the use of photo shop on the [black] female form. For one, it doesn't do it justice and two, it really takes away from the natural beauty of some of these girls. Don't get me wrong, I'm all for a few touch ups here and there, but Hoopz looks damn near anorexic here and that's not how my baby is supposed to look. If anything, I expected her to be thicker than this, but see what happens when photo shop goes wrong. What a cruel, cruel world we live in.

Teairra Mari: Sex For Your Stereo

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A lot of people may not remember Teairra Mari but, for some time, she was dubbed the "Princess of the Roc". Fast forwarding to present day--Teairra Mari [still] remains in music purgatory, but thank God for King Magazine. As you can see, Teairra is featured in this month's issue and while the pics leave a lot to be desired, the article is actually a pretty good read. Check it out.

Jessica Rabbit Keeps It Smooth

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I've never been oblivious to the fact that models come and go, but Jessica Rabbitt is the [absolute] truth! Point. Blank. Period. Anyway, Jessica is featured in this month's "Muy Caliente" issue of Smooth Magazine so be sure to pick up a copy when it hits newsstands here shortly.

KanYe West: Good Morning [Video]

Common: Announcement [Video]

Common - Announcement

Step Brothers

Will Ferrell and John C. Reilly have a unique brand of chemistry that can really only be appreciated by those who loved Talladega Nights. Now, being one of those that did, not only did I expect Step Brothers to be laugh out loud funny; but to only further cement the comedic genius of the two [as well]. --NOT to make me feel like a f'n retard.

Step Brothers, for lack of better praise, is the most idiotic, simplistic piece of Hollywood bullshit known to man and is somewhat embarrassing. You would think, two well renowned actors/comedians such as Ferrell and Reilly would have a much higher standard when it comes to their work; but Step Brothers is childish and contrite for even the simplest of minds. It has no substance whatsoever and this just in, it's not particularly funny either.

Sure, a few bright spots are here and there but those are few and far between. In no way do they cover up the deficiencies of this film, however, and for the first time, I actually found a movie that made ME feel dumb for watching it.

Why? It's quite simple. All the unnecessary profanity and vocal dexterity took away from the plot and when you do that, you're reduced to something less appealing. In laments terms--this movie is so full of itself, it's damn near committing incest right before our very eyes. As blunt as that may sound it's the truth and with that comes great responsibility. Unfortunately, the tandem of Ferrell and Reilly didn't get that memo.

Rating: 1 ½ inkblots out of 5