Hancock

Will Smith OWNS the 4th of July box office. That--we already know. Not only have his movies grossed millions worldwide, but his appeal (both foreign and domestic) has made him one of the most recognizable stars of today. Combine that with the fact that he's been fairly consistent and what you have is a bonafide star. However, with such a long list of accomplishment, comes a false sense of security; and for Will Smith, Hancock not only represents a near brush with commercial disappointment but [possibly] the beginning of the end.

I know what you're thinking. Pretty bold statement, huh? Well, by all means, I apologize for being blunt, but that's just how disappointed I was with this movie. Instead of getting a superhero movie filled with action, adventure, and wonderment--I helplessly sat through one that was [seemingly] juiced up on estrogen. And that's just being nice.

I guess most of my frustration(s) stem from the fact that this movie couldn't really make up its mind of what it wanted to be. Was it a superhero movie? A comedy? A drama? Far be it from me to decide, but I [mostly] blame the producers for trying to play all sides. No clear cut direction was taken in the thought process and it really shows. Therefore, Will Smith and company weren't really given much to work with; however, when presented with something of substance, it comes off more cheesy than anything.

So, therein lies a problem among many but mostly everything centers back to the plot. No origin of Hancock is given, nor is anything explicitly stated about how he came to be; but in not doing so, it kind of works as a gift and a curse. From one standpoint, it allows the viewers to interpret for themselves; but it also leaves them in the dark as well. So, like I was saying, it kind of goes both ways and only furthers that notion of indecisiveness that I spoke of earlier.

It's simple. Hancock is not only a microcosm of what a superhero movie should be, but also a microcosm of what a Will Smith movie should be [as well]. In no way does Hancock compare to any of his previous summer blockbusters, nor does it represent anything he's ever done. Hancock is Hancock. There's no other way to explain it. So, instead of investing your time/money on a bi-polar superhero. Ask yourself, who's really being saved here?

Rating: 2 inkblots out of 5

Cassie Feat. Lil' Wayne: Official Girl [Video]

Cassie Ft Lil Wayne - Official Girl

The Fast and the Furious 4 [Trailer]

Barack Obama's Democratic National Convention Speech

T-Pain Feat. Lil' Wayne: Can't Believe It [Video]

T-Pain ft. Lil Wayne - Can’t Believe It Video

NFL: Osi Umenyiora Out for Season

If being the defending champions wasn't hard enough, the New York Giants will have an even tougher hill to climb [in repeating] without their leading pass rusher, Osi Umenyiora. Being a Patriots fan, I'm jubilated by this news; however, not to the point that I'm emotionally numb for something like this to happen.

On the respect tip, Osi is a solid player with tons of talent and I hate to see something like this happen but I [fully] blame the NFL. The pre-season is too long and when "accidents" like this happen, it takes the competitive balance out of the game. Wouldn't you agree? Anyway, come back healthy Osi and continue to do your thing. You will surely be missed, but as a fan of the Patriots...that's, unfortunately, where I have to draw the line.

The Sweet Taste of Redemption

How many people actually believed in Team USA after what happened in '04? I, myself, didn't but am proud nonetheless, as Team USA managed to get it done with a 118-107 victory over Spain. Closer than the score indicated, Spain put up quite a fight and gave the U.S. their toughest test in these Olympic games; but it was the MVP Kobe Bryant who helped seal the deal. Not to be outdone, the [whole] team rallied and put forth a collective effort that was commendable and I'm quite sure there's no sweeter taste than that of redemption. Without question, Team USA is back, but we still have a long road back to dominance. The rest of the world is catching up and the only way to keep pace is to prove otherwise every four years. Therefore, goodnight China. Good morning, London.

John Legend Feat. Andre 3000: Green Light [Video]

Tropic Thunder

In all fairness, laugh out loud comedy should be unapologetic to a certain extent; but with Ben Stiller, there seems to never be a line that can't be crossed. Stiller's particular brand of raw, in your face comedy has entertained fans for years and has not only spawned memorable pop culture references but, in a way, has defined our generation as well. Movies such as There's Something About Mary and Dodgeball represent both ends of the spectrum and although he's tried once before with the outlandish Zoolander, Tropic Thunder will [undoubtedly] go down as Stiller's finest work to date. Why? Simple. Tropic Thunder excels in the fact that it doesn't take itself seriously and knowing that allows for a premise of this nature to pull no punches.

First things first, however, if you are easily offended--I highly recommend that you do NOT see this movie. Tropic Thunder openly crosses the line on many occasions and preys on the sensitivity of those who may be watching; but only to the extent of blatant truth. In no way is any of this intended to be taken seriously and as long as you keep that in mind, you'll laugh and enjoy yourself at the same time.

So, now that that's out of the way. Tropic Thunder, for lack of a better word, is a paradox of sorts in that it is a parody of a parody. Let's face it. War movies have become mundane and/or commonplace in this day and age of ours, but I truly feel that Tropic Thunder will represent a concerted effort back towards the importance of originality. So much recycled b.s. is thrown at us constantly and instead of disallowing such behavior to continue, we feed into it by shelling out $7 bucks or so each week; only to see the same mindless crap. Now, if that's your idea of quality, then so be it. Me, on the other hand, I expect more and luckily Tropic Thunder was just that.

So, what's it all about? Usually, I would go into extensive detail and point out the highs and lows of the plot; but I think it's better served to let you find out things for yourself. Besides, critics [in my opinion] spoil things ever so slightly with some of their reviews and I, myself, feel that I would be following down that same path if I, too, were to do so. Therefore, I'll put it to you like this. Tropic Thunder offends, yet succeeds on all levels as a laugh out loud comedy and is more than worth the price of admission. Point. Blank. Period.

P.S.

Three(3) things to look out for: Booty Sweat energy drinks, Bust-a-nut bars, and "Never go full retard". LOL, you'll soon see what I mean.

Rating: 4 inkblots out of 5

Nas: Untitled

The term "shock value" would be an understatement when describing the approach Nas took with his latest album, but not without reason. The issue of race has long since been swept under the rung, however, quietly racism remains a prevalent problem in this country of ours. Racism STILL exists and while not a open as it once was, it is still something that needs to be addressed. Far be it from me to suggest a solution to the problem, but to ignore it would only make matters worse. Therefore, any idea, thought, or conviction could only help [not harm] and with the release of Untitled (formerly titled Nigger), Nas' voice not only reflects the feelings of a generation, but the animosities of it as well.

The unbridled truth of the matter is that Nas is on a whole 'nother level when it comes to rappers and politics. Not since Dead Prez has an artist poured so much emotion into a piece of work and with Untitled, Nas makes his message quite clear. His views, thoughts, and/or opinions are that of his own and instead of trying to get the listener to conform; instead, his purpose is only to inform.

Getting things started, Nas drops knowledge over the Jay Electronica produced "Queens Get The Money" and achieves lyrical perfection in the process. From there, "You Can't Stop Us Now", "Breathe", and "Make The World Go Round" featuring Chris Brown and The Game revert nicely back to the concept of the album, but it's the lead single "Hero" that stands out. Produced by Polow Da Don, the drum heavy production serves as the perfect backdrop for Nas as he viciously attacks the beat in pure veteran form. Not to mention, the smooth vocals of Keri Hilson make for the icing on the cake. Up next, "America", "Sly Fox", and "Testify" examine the issue of race and the media, while "N.I.G.G.E.R", "Untitled", and "Fried Chicken" featuring Busta Rhymes shifts the [proverbial] mirror back at African-Americans as a whole.

So, in a sense, both sides of the fence are being displayed and the way Nas is able to balance the two is remarkable. His flow comes off as effortless as ever and the subject matter is on some real knowledgeable shit. Self-conscience or not, people need to know the truth for what it is and I'm glad that an artist as respected as Nas, is not afraid of the backlash he may receive from speaking out on politics. This, in no way, is about selling records to Nas; but, rather an attempt to open the eyes of those who have been walking blindly. Besides, as much as the truth can be stretched out and manipulated, the more naive we become. It's up to us to see things for what they really are. Therefore, which one are you. The slave or the master?

Rating: 9.5 headphones out of 10

Max Payne [Trailer]

Lloyd: Lessons In Love

Consistency goes unnoticed, in my opinion, but Lloyd has quietly put out two solid albums thus far. While he may not be as mainstream as say an Usher or Chris Brown, his music is equally on par with such heavyweights and I truly feel that he deserves more recognition then what he's been given. Plain and simple, a lot of people don't like Lloyd. For whatever reason, I don't know. However, with this new album Lessons In Love, Lloyd comes correct and whether you're a fan of his or not, it'll be hard pressed to deny that.

Getting things started, "Sex Education" sets the mood and not only serves as the perfect precursor for the album; but transitions smoothly into the Lil' Wayne assisted "Girls Around The World". I'll admit. At first, I hated this song with a passion, but it became one of those that grows on you after awhile. Maybe it's the fact that Lloyd and Lil' Wayne just have great chemistry together or whatever but, regardless, this song is the shit! Up next, "Treat U Good" finds Lloyd in his comfort zone and you can really tell that he's having fun with this, however, it's the smooth and melodic "Year of the Lover" that takes things to an even higher level. By far, THE standout track of note, Lloyd really connects with this song and I hope he goes with this as his next single. Words can't even begin to describe how much I love this song; besides, I doubt words would even do it justice.

From there, "I Can Change Your Life" and "Lose Your Love" have there moments but I vibed instantly with "Love Making 101" and "Have My Baby". Each song, as a representation of itself, is good in its own right--and again, telling you about them just won't do it justice.

Plain and simple, this album [as a whole] is on point from start to finish ("I'm Wit It" and "Heart Attack" close the album perfectly) and save for "Touched by an Angel" and "Party All Over Your Body" serving mostly as album filler; this album is absolutely incredible. Lloyd really stepped his game up and delivers a timeless piece of work while, in the process, validating his career as well. No longer will he be cast into the shadows and forced idly by, reduced to the background; Instead, Lloyd shines brighter than ever and if Lessons In Love is any indication, I'm sure Lloyd has plenty more tricks left up his sleeve. Therefore, class is in session. I suggest you pay attention.

Rating: 7.5 headphones out of 10

Yung Berg: Look What You Made Me

If the old adage of "controversy sells" rings true, then Yung Berg should prove to be quite successful with his new album Look What You Made Me. Well, at least in theory anyway. In actuality, the album will most likely flop by commercial standards but, still, it's no secret that Yung Berg has made quite a name for himself. Since exploding on the scene with the radio friendly "Sexy Lady" and shortly thereafter with the Ray J. assisted "Sexy Can I", Yung Berg has typecast himself as this "gangster and a gentleman". The only thing is, while it may come off well in small doses, it doesn't really work for an entire album; and therein lies one of the many problems for Yung Berg.

As much as this notion of Hip-Hop being "dead" is concerned, I honestly feel that the concept of this statement has been run into the ground. I'm so sick of people saying what is Hip-Hop and what isn't; but with Yung Berg, I think he fits somewhere in between. It's no question that the guy can make hits because his current single "The Business" featuring label mate Casha is burning up urban radio but, still, it's all about substance. Nothing about Yung Berg stands out in the least bit, but in spite of my reservations I decided to give his album a listen anyway.

Not surprisingly, the album was pretty much what I had expected and had its moments, but those came few and far between. "Where Do We Go" featuring Twista and "Do That There" are guaranteed to bang heavy on the block, but street cred is not exactly Berg's M.O. Instead, Berg sticks to the winning formula he found success with from songs such as "Sexy Lady" and the aforementioned; and pretty much the album remains mostly R&B oriented. Not that there's anything wrong with that, but to each his own.

All I'm saying is, Yung Berg [still] has time to grow as an artist and I honestly feel that he has the potential to do so. Whether or not he ever maximizes that potential remains to be seen, but in the meantime Look What You Made Me is solid in it's attempt to introduce the world to Yung Berg. Sure, it may fall [way] short of anything "classic" or "memorable", but Yung Berg will have more to say before his limelight fades. Until then, I guess this will have to do for now.

Rating: 5.0 headphones out of 10

Bow Wow Stunts On The Game [Part 3]

Ne-Yo: Miss Independent [Video]

Lil' Wayne's October XXL Cover

[Click image for larger view]

Lil' Wayne likes to think he's from another planet and maybe he was right all along. Whatever the case, Lil' Wayne graces the cover of the upcoming issue of XXL magazine and this looks like it will be a great read. Be on the lookout when it hits newsstands and check it out for yourself.

Hoopz Covers October Issue of King Magazine

[Click image for larger view]

For some reason, I can't seem to get that "Business" song by Yung Berg out of my head when I look at this; but, obviously, for damn good reason. All I know is, if Hoopz WAS an action figure, I would gladly become a kid again because all I would do is play with her. Get it? Anyway, as you can see, Hoopz graces the cover for the upcoming issue of KING so be sure to pick up your copy when it hits newsstands here shortly.

Dream Girl

[Click images for larger view]

Jennifer Hudson is a dream girl in the true sense of the word and these promo pics don't even do her justice. Now, I don't care particularly much for her as a singer but I do respect the fact that she's a very attractive woman. Her beauty shines through and reflects in her personality and I wish her all the success with her upcoming album next month. In the meantime, however, I came across these promo pics and had to share with you guys so let me know what you think. You feeling them?

Hellboy II: The Golden Army

Guillermo del Toro may not be a household name, but his visionary style of directing is [simply] one of a kind. Although he is most well-known for his brilliant work behind the adult fairy tale Pan's Labyrinth, del Toro's cinematic approach to film making is unlike any other. His sharp focus for detail, combined with his excellent use of stunning visual effects is more than meets the eye; and with his latest film, Hellboy II: The Golden Army, his quality work only continues to speak for itself.

First things first, if you were NOT a fan of the first Hellboy--then I strongly suggest that you do not see this film. Why? Well, unfortunately, I was not a fan of the first myself but, still, opted to see this film in support of del Toro; only to spend a majority of it lost and disinterested. Sure, part of that can be attributed to the face that I loathed its predecessor but, still, Hellboy II is far from a bad movie. In all fairness, it's bigger and better then it's previous counterpart and from that standpoint, I applaud the producers for expanding on an already established concept.

In essence, the Hellboy franchise is the "B" movie of comic book movies and fails to hold weight amongst such heavyweights as Iron Man and The Incredible Hulk. Not to be outdone, Hellboy's strong cult following helps in its appeal and it's fair to assume that a lot of fans will be thoroughly pleased. Unfortunately I wasn't, but I digress.

Overall, I would say that a little more could've been done with the story; but to go into extensive detail would be a waste of time. Not so much because it would require a detailed summary of the plot, but simply because I really don't care. Plain and simple, Hellboy II: The Golden Army passes with flying colors...if you're already a fan but, if not, it serves better as a late night rental from Blockbuster.

Rating: 2 inkblots out of 5

Bow Wow Lays Down A Madden '09 Challenge to The Game!